Where's Joon? is coming out in October!

I got my advanced copy of Where’s Joon? this week! Though it never looks quite the same as the original art, I was happy with the way the colors came out and the overall feel of the book. Whew.

The story continues Jin and Joon’s adventure in the strange magical land of Korean folktales. Humor, heart, and courage is the name of the game, as the two siblings are joined by old and new friends in their quest to fix Halmoni’s broken magic pot! No language barrier, or a sly tiger, will be allowed to stand in their way.

After spending roughly three years on this book, I can’t objectively tell if the audience will like this book or not. However, I poured a lot of love into it and hopefully that will come through to the reader when they read it. That’s the best I can ask for. You can preorder at Amazon if you want it ASAP. Happy reading!

Cover for Where’s Joon

I'm having a second...I mean a sequel, to Where's Halmoni?

Yes, I am working on my second picture book, a sequel called Where’s Joon? —four years after Where’s Halmoni? Better late than never, I say. The book is a wee bit longer in page count, and so, Little Bigfoot and I are shooting for 2023 delivery date. Paint, paint, paint!

I finally have something to post on this blog...or at least motivating enough.

After two years of working on the story concept and another year of coming up with final images for this 96 page picture book, I finally get to say, "Yay! It's coming out this October, finally!" 

Where's Halmoni? will be published by Little Bigfoot, an imprint of Sasquatch Books. I worked with wonderful people there who made this painless as possible for me. It was just the art that was giving me grief.

I seriously could not fathom how I was going to finish the 96+ pages of art in 9 months...but here it is. True, after page 60 or so, I finally got the hang of painting the characters..and had to go back to fix the the earlier images. And yes, there was this complicated landscape scene that I must have reworked and recompositioned about 20 or more times. On certain days nothing I drew came out right - they felt all wonky and WRONG. I would get emergency call from my critique group mates, telling me to STEP AWAY FROM THE PRECIPICE JULIE! as I was pulling my hair out. And I had a rocky relationship with Photoshop, which at the end, we managed to iron out our differences. I was also blessed to have very talented colleagues pushing me to go beyond what I was willing to do. The book is so much better for it. Thank you!

I feel like one of those moms who share their traumatic birthing stories with each other: "Oh, yeah. My labor lasted 38 hours without epidural. It was hell." But I think people in creative fields understand this very well. That whenever we create something that's ready to burst out of our heads, we try to give it flesh and blood so that it can exist in the world. The process is both hopeful and often excruciating. It does indeed feel like gestation and birth.

When the book finally comes out in October, I'll watch it take its first steps. Then let go.